War-torn country Essay Example for Free

War-torn country Essay The war in Viet Nam, unlike previous conflicts entered by America, provoked a bitter, emotional debate that divided the nation. Wayne’s traditional faith in God and country would have seemed out of place, but he remained firm in his convictions. Moreover, he was not content to stand idle while the American flag was being ripped to shreds. His reaction was in the form of another war picture, this time set in the battlefields of Viet Nam. In 1967, after visiting that war-torn country, he decided to make a film, entitled The Green Berets, about the exploits of the Special Forces. At 62 years he was to play a Green Beret, but Wayne did not mind. He hoped it would bring home the message to Americans about the necessity of the war being waged in Vietnam. Until recent times, The Green Berets has been the only film that supported the American intervention in Southeast Asia. (Wayne 221). In Wayne’s war pictures, the message was unmistakable: one has a duty to his country and he has to do his best to perform it. In the 1949 film Sands of Iwo Jima which earned him his first nomination as Best Actor, Wayne portrayed Sergeant Stryker, a professional soldier who fought in the blood-soaked beaches of Iwo Jima. But many Americans were beginning to question the U. S. newfound role as keeper of world peace. Attacks against The Green Berets were therefore expected. Wayne was labeled â€Å"Apostle of War† by the press. Critics lashed at the film at all angles. But people lined up in theatres to see the movie, which was a huge box office success worldwide. In a period of turbulent protests, Wayne bravely faced anti-war crowds, giving them his idea of what America had always stood for. Once, he confronted student demonstrators in the University of Southern California who waved a Vietcong flag; they ceased waving the flag when he told them that his companion, Jimmy Stewart, had lost a son in Viet Nam. (Szabaga 3). Gamely facing a forum of hostile youths in a university, Wayne even managed to win â€Å"the other side† by his father-figure and sense of humor. Asked why he wore a â€Å"phony toupee,† Wayne countered: â€Å"You’re wrong, this isn’t phony; it’s real. It’s not mine, of course, but it’s real† (Wayne 250). John Wayne continued to star in big-budget films long after contemporary actors had faded, retired or shifted to â€Å"character† roles, which meant they were no longer considered box-office draws. Surprisingly, his aging lent greater depth and believability to his roles, and critics were beginning at last to take notice of him. In 1969, when he was 61 years old, he won the Oscar Best Actor trophy for True Grit. The climactic fight scene in that film shows John Wayne, as federal marshal Rooster Cogburn, ranged against four mounted antagonists on high altitude. His challenge rang clear: â€Å"Fill your hand, you son of a bitch! † Placing the reins between his teeth, he drew a pistol in his left hand and spun a rifle on the other, charging the bad guys. Filming of the sequence took place all day before director Hathaway, a true perfectionist, was satisfied. Wayne refused to have a double, and the scene is one of the best ever produced. His Oscar could not have been more deserved: while filming the gut-wrenching action sequence, he was suffering from pain, one of his lungs having been removed some months before. While the critics did their best to downgrade his films, taking potshots at everything from the story to the acting, his films continued to make it big at the tills. John Wayne made it a point to exclude all kinds of graphic violence in his movies, no rape, no â€Å"adult† scenes. His only passionate love scene was with Maureen O’Hara in the 1952 film The Quiet Man, the only contemporary love story he ever made. Despite the advent of the so-called â€Å"spaghetti westerns† starring Clint Eastwood and company, patronized due to their novelty and shocking violence, the appeal of the Duke did not wane, nor his formula for old-fashioned westerns change: the good guys still defeated the bad guys, and they did it fair and square. Most people, movie fans in particular, often presume their idols are not unlike the roles they portray on screen. Thus, they are disappointed when they discover their swashbuckling hero on film a very tame, unexciting character in real life. John Wayne may not be exactly the same as his never-say-die characters, but he gave everything to maintain appearances as long as he could. His fans remember Duke as an aging but no less heroic figure. The lined, weather-bitten face, in fact, accented the gritty roles he portrayed onscreen, adding a touch of realism, vulnerability, and pathos. That an aging actor would continued to act and be patronized by loyal fans was unheard of in Hollywood; Clint Eastwood and Charles Bronson were to follow Wayne’s footsteps. Although ravaged by cancer, he refused to display weakness until the end. Three weeks after he was operated on, Wayne was about to leave the hospital, looking terribly un-John Wayne, bound to a wheelchair. He was aghast when told that reporters waited outside, eager to confirm rumors about his real condition. Reporters saw, not an emaciated patient, but a confident-looking John Wayne striding to the hospital entrance as if he had just been on a two-week vacation. He had kicked his wheelchair aside and â€Å"forced some color† into his face, truly an award-winning performance. At the car, Duke groaned as he asked for oxygen. (Wayne 188-189). Ronald Reagan remembered Wayne for his courage in the stand-off against communists in the film industry, his generosity and compassion to those suffering and in need. Nancy, describing how it was to be with the Duke in moments of crisis, said â€Å"it was like being next to a force bigger than life. † Elizabeth paid him a tribute by saying â€Å"He gave the whole world the image of what an American should be. † John Wayne’s battle against cancer would inspire other sufferers to fight what was then considered an incurable disease. With his legendary tough talk, he told people that the Big C could be licked, and acted as if battling cancer was like taking cure for a cold. He was instrumental in raising millions of dollars for private cancer research. He urged his doctors, when it was apparent there was no hope for a cure, to use his body for medical research (Reagan). His role of the cancer-stricken, dying gunfighter in The Shootist, depicted John Wayne at his best: courageous until the very end. As abovestated, John Wayne’s real life image is inseparable from his screen persona, no matter what role he played. Whether as a police officer, marine sergeant, frontiersman, gunfighter, John Wayne was John Wayne, and his fans could not care less. John Wayne was relevant and continues to be so because his fellow Americans still identify with him. He had endured for so long because Americans saw themselves in his roles. To them, John Wayne was everything they could ever hope to be. WORKS CITED â€Å"Biography†. 19 May 2007. http://www. leninimports. com/john. wayne. html â€Å"John Wayne’s Congressional Gold Medal†. 20 May 2007. jwplace. com/medal. html O’Hara, Maureen. â€Å"John Wayne, American†. 19 May 2007. http://www. congressionalgoldmedal. com/JohnWayne. htm â€Å"Presidential Medal of Freedom Recipient John Wayne†. 19 May 2007. http://www. medaloffreedom. com/JohnWayne. html Reagan, Ronald. â€Å"Unforgettable John Wayne†. Readers Digest, October 1979. 19 May 2007. http://www. jwplace. com/biography. html â€Å"Soviet Dictator Joseph Stalin was So Angered by John Wayne’s Anti-Communism that He Plotted to Have Him Murdered†. 19 May 2007. bbc. co. uk/2/hi/America/3114963. shtm

Sherman Alexie’s The Lone Ranger and Tonto Fist Fight in Heaven Essay

Imagine a world without hope, diversity, uniqueness, heroes and role models. Everybody would have the same height, shape, voice, skin color, eye color, hair color, clothes, job, interests and so on. They would most likely live in the same type of home, own the same things, speak the same language and eat the same food. If a person tried to be unique, the society would try to drag that person down to society’s hopeless status. Personally, I couldn’t stand a minute in a world like that. Unfortunately, worlds like these exist. In Sherman Alexie’s The Lone Ranger and Tonto Fist Fight in Heaven, Alexie writes about a typical Indian reservation in the United States without hope, diversity, uniqueness, heroes and role models. A large majority of the Native American population are hopelessly drinking their lives away with alcohol because they feel no reason and inspiration to live a better life. In this case, the need for role models and heroes becomes greate r because these Native Americans do not see a way to improve their lives. I am happy to say that I am fortunate to be living in a society full of heroes and role models with diversity and uniqueness. Role models and heroes are important to society because they motivate us to strive towards a goal, and inspire us to live better and happier lives. Society moves when it has a goal to strive for. When I was eleven years old, I was just like the Indians on the Indian Reservation. I didn’t have any sort of in...

For and against

This essay will also consider three broad areas in support of the statement mentioned such as validity, convenience and privacy and will explore arguments against the statement such as amusement, audience rating and riots. It is undoubtedly the case that media is a crucial approach for people to obtain the social information immediately. The validity of this information must include accuracy and practicability (Brigit, 2003). In other words, people secure the news useful and helpful for themselves. Because news is direct way to receive the data providing not only policy but also employment.In fact, most people tend to read the newspapers to gain the up-to-date news, when having a breakfast. If the news is unreliable or unavailable, nobody will trust it and news indeed lose its meaning. In addition, media brings us convenience in the routine, especially providing advertisement and entertainment. Contemporaries, people can Just stay at home and receive what they want, such as shopping and booking goods on the television. At the same time, people can receive the pleasure when watching some comedies and cartoon. Besides, paying more attention to expose the personal lives of famous people in the public is immoral.Walks(2013) states that everybody has the right to keep the privacy. To over concern their privacy is possible to make celebrities gloomy or stressful and this might lead to they get psychological disease. Although the favorable points of media reporting the relative news are apparent, its drawbacks can also be frustrating. Initially, famous people in magazine are the highlight when people read it. It is obvious that people in the developing rapidly society undertake numerous stresses come from live and work and they need relax.Therefore, amusement in media has become an essential factor when reading it in leisure time. Furthermore, if the news from media is totally about policy and employment, the readers must feel monotonous and annoyed and this probably leads to the audience rating is decreasing and affect the benefits of media. If media broadcasts the whole actual political issue on governments as negative, it is easy to cause mass rioting. People need the real and positive news to support contemporary government and to make a contribution to the society, but over-passive news will cause conflict and complaint to government.From what has been discussed above, the arguments in favor of media reporting the relative news are stronger than those against, on condition that appropriately putting some stories of famous people to increase the interests of reading or watching news. In conclusion, broadcasting relative news for media is necessary in order to deliver the news with reliability and practicability. This measure would not only bring convenience in routine life, but also protect celebrities' privacy.

Ban Banning Campus Firearms Bans - 833 Words

Advisory Opinion on Constitutionality of Prohibiting Campus Firearms Bans The Indiana Constitution explicitly says that †The Supreme Court shall have, in all appeals of criminal cases, the power to review all questions of law and to review and revise the sentence imposed† (Article 1 Section 4). Consequently, based in this legal definition, the Supreme Court is banned on providing advisory opinions, including an advisory opinion on constitutionality of Prohibiting campus firearms bans and in any other issue, expects the criminal cases. Indiana Constitution, guarantees the separation of power principles, among different branches and even though that this is not said in an explicit way, the spirit of the constitution of Indiana, has established strong principles of separation of power and check and balances system among different branches. Furthermore, even the US Constitution (Article III of the US constitution) specifies that the judicial Power of the United States extends only to actual Cases and Controversies . It thereby helps to ensure that the legal questions presented to the federal courts will not take the form of abstract intellectual problems resolved in the rarified atmosphere of a debating society but instead those questions will be presented in a concrete factual context conducive to a realistic appreciation of the consequences of judicial action. Therefore, asking other judicial institutions for an advisory opinion don’t have a strong legal base and itShow MoreRelatedThe Violence Of Campus Security1122 Words   |  5 Pages There ain’t no doubt: I love this land but these horrific campus killings must be brought to an end. Guns on campus is the definition of risky, giving equal opportunity of bearing arms to the clinically insane, over the rest of the responsible student body. 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